Thursday, April 11, 2013
Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde.
Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of “civilized society.” In the end, each will come to realize that her salvation, if not survival, lies with the other. -- Riverhead
On Tuesday evening, my book club was fortunate enough to be joined (via Skype) by Cathy Marie Buchanan, author of THE PAINTED GIRLS. You might not remember this, but I reviewed THE PAINTED GIRLS back in January and declared that it will be one of my favorite books of 2013. This novel epitomized everything I love about historical fiction and I just knew I had to share it with my friends.
For the most part, I think we all enjoyed the novel but I'm pretty sure I liked it the most. Two of the members voiced that they wished there was more about the history of the Paris Opera, and I do see their point. We were all interested in the inner workings of the ballet, and we were surprised that the young girls who were training for the ballet weren't from well-to-do families. Rather they were usually from less fortunate families and were working to help support them. Not quite the glamorous life that we were expecting!
In addition, we spent a lot of time discussing Marie and Antoinette and their relationship. I think we all agreed that their relationship was very realistic and represented a genuine sisterly bond. They had occasional tiffs and bouts of jealousy, but they both loved each other dearly and wanted to protect the other one.
There is a really good reading guide on the publisher's website that many book clubs will want to use to discuss this book. While I had the questions printed out and ready to go, we found that we didn't need them. We were all anxious to discuss different aspects of the novel; and for the most part, I think we addressed in some way many, if not most, of the questions.
After we discussed the book for almost an hour, Ms. Buchanan called in to join us. After a few technical glitches (on my part!), we finally settled in and listened to her discuss THE PAINTED GIRLS. Of course, I had many questions I wanted to ask her about her inspiration for the novel as well as her research; and fortunately, she answered most of them when she gave us some background on her writing. It was incredibly interesting to hear about how much research she conducted on Paris, the ballet, Degas, and the social conditions of the time period.
Ms. Buchanan was absolutely delightful. It was immediately apparent that she loves to write and research her subjects. Her passion for her work was so inspiring! Plus, I loved hearing her insight into THE PAINTED GIRLS because it made me appreciate the story even more. Towards the end of the call, we shared some of our favorite recent reads, and we were even lucky enough to hear a little bit about her next novel.
Overall, we had a wonderful meeting and we were all impressed by Ms. Buchanan and her novel. Truly, I highly recommend selecting THE PAINTED GIRLS for a future meeting and inviting the author to "join" you. Ms. Buchanan is available for author chats and you can request one here.
Next month, we will be reading THE GARDEN OF EVENING MISTS by Tan Twan Eng.This novel was nominated for the 2012 Man Booker Prize and it looks fabulous. I can't wait to read it!
Summary: It's Malaya, 1949. After studying law at Cambridge and time spent helping to prosecute Japanese war criminals, Yun Ling Teoh, herself the scarred lone survivor of a brutal Japanese wartime camp, seeks solace among the jungle fringed plantations of Northern Malaya where she grew up as a child. There she discovers Yugiri, the only Japanese garden in Malaya, and its owner and creator, the enigmatic Aritomo, exiled former gardener of the Emperor of Japan. Despite her hatred of the Japanese, Yun Ling seeks to engage Aritomo to create a garden in Kuala Lumpur, in memory of her sister who died in the camp. Aritomo refuses, but agrees to accept Yun Ling as his apprentice 'until the monsoon comes'. Then she can design a garden for herself.
As the months pass, Yun Ling finds herself intimately drawn to her sensei and his art while, outside the garden, the threat of murder and kidnapping from the guerrillas of the jungle hinterland increases with each passing day. But the Garden of Evening Mists is also a place of mystery.
Who is Aritomo and how did he come to leave Japan? Why is it that Yun Ling's friend and host Magnus Praetorius, seems to almost immune from the depredations of the Communists? What is the legend of 'Yamashita's Gold' and does it have any basis in fact? And is the real story of how Yun Ling managed to survive the war perhaps the darkest secret of all? -- Weinstein Books